The use of contrast highlights the change between Said’s world before prison and after. His memories of the former Rauf Ilwan, with his modest writing ventures and meagre lifestyle are juxtaposed with his new superficial newspaper column and his villa. Contrast emphasizes this transformation.
Animal imagery is not as prominent in this chapter. “… Ilwan’s face had become cowlike in its fullness…” (p. 174) Here, the cow has negative connotations. Said is shining an unflattering light on Rauf’s face.
When describing Rauf’s suavity, Said says it’s “a quality that could only have come from a touch of blue blood…” (p. 174) The alliteration here emphasizes Rauf’s impersonal air. Blue has a connotation of cool, implying that Rauf is cold-blooded. Blue is also often associated with royalty, meaning Rauf’s new suave demeanour could be the result of his newfound high-society status. Colour is also used to create a dark atmosphere. “… leaving stars in a sky profoundly black…” (p. 172)
As further explored in other sections, setting and places are used to define character and express Said’s thoughts and feelings (pathetic fallacy).
Tags: Animal Imagery, Colour, Contrast, Pathetic Fallacy
